Dec 02 2011

Capturing the Essence of Being Locked Up: Baldwin’s ‘Equal in Paris’


By Josh MacPhee

In 1955, James Baldwin wrote an essay titled “Equal in Paris” which was published in Commentary Magazine. I really love this piece of prose. Baldwin recounts the eight days that he spent in French prisons after he was accused of stealing bedsheets from a hotel. Ultimately, Baldwin was released. He had in fact not “stolen” the sheets; a friend of his (also an American) had. Relying on the themes of injustice, imprisonment, abuse of power, and police brutality that are so prevalent in all of his work, Baldwin offers a searing description of his time behind bars. Below I offer a couple of the excerpts that stayed with me after reading them nearly 20 years ago:

For, once locked in, divested of shoelaces, belt, watch, money, papers, nailfile, in a freezing cell in which both the window and the toilet were broken, with six other adventurers, the story I told of l’affaire du drap de lit elicited only the wildest amusement or the most suspicious disbelief. Among the people who shared my cell the first three days no one, it is true, had been arrested for anything much more serious—or, at least, not serious in my eyes. I remember that there was a boy who had stolen a knitted sweater from a monoprix, who would probably, it was agreed, receive a six-month sentence. There was an older man there who had been arrested for some kind of petty larceny. There were two North Africans, vivid, brutish, and beautiful, who alternated between gaiety and fury, not at the fact of their arrest but at the state of the cell. None poured as much emotional energy into the fact of their arrest as I did; they took it, as I would have liked to take it, as simply another unlucky happening in a very dirty world. For, though I had grown accustomed to thinking of myself as looking upon the world with a hard, penetrating eye, the truth was that they were far more realistic about the world than I, and more nearly right about it. The gap between us, which only a gesture I made could have bridged, grew steadily, during thirty-six hours, wider. I could not make any gesture simply because they frightened me. I was unable to accept my imprisonment as a fact, even as a temporary fact. I could not, even for a moment, accept my present companions as my companions. And they, of course, felt this and put it down, with perfect justice, to the fact that I was an American.

There was nothing to do all day long. It appeared that we would one day come to trial but no one knew when. We were awakened at seven-thirty by a rapping on what I believe is called the Judas, that small opening in the door of the cell which allows the guards to survey the prisoners. At this rapping we rose from the floor—we slept on straw pallets and each of us was covered with one thin blanket—and moved to the door of the cell. We peered through the opening into the center of the prison, which was, as I remember, three tiers high, all gray stone and gunmetal steel, precisely that prison I had seen in movies, except that, in the movies, I had not known that it was cold in prison. I had not known that when one’s shoelaces and belt have been removed one is, in the strangest way, demoralized. The necessity of shuffling and the necessity of holding up one’s trousers with one hand turn one into a rag doll. And the movies fail, of course, to give one any idea of what prison food is like. Along the corridor, at seven-thirty, came three men, each pushing before him a great garbage can, mounted on wheels. In the garbage can of the first was the bread—this was passed to one through the small opening in the door. In the can of the second was the coffee. In the can of the third was what was always called la soupe, a pallid paste of potatoes which had certainly been bubbling on the back of the prison stove long before that first, so momentous revolution. Naturally, it was cold by this time and, starving as I was, I could not eat it. I drank the coffee—which was not coffee—because it was hot, and spent the rest of the day, huddled in my blanket, munching on the bread. It was not the French bread one bought in bakeries. In the evening the same procession returned. At ten-thirty the lights went out. I had a recurring dream, each night, a nightmare which always involved my mother’s fried chicken. At the moment I was about to eat it came the rapping at the door. Silence is really all I remember of those first three days, silence and the color gray.”

Update: Here is a PDF copy of Equal in Paris.